Revolution Room

Console / Summing

  1. Late 60s EMT Mixsystem 100 10 channel desk with onboard EQ
  2. Dangerous 2Bus LT
  3. Dangerous D-Box
  4. Grommes Precision G5M mono tube Mixer

Computer, DAWs

  1. MacPro Intel Quad Core
  2. ProTools 9 HD2
  3. Accel Logic Studio 9
  4. Cubase 6
  5. Digidesign Command 8 control surface

Plugins

  1. UAD QUAD Omni (Everyting they make)
  2. Sonnox full bundle
  3. Soundtoys full Bundle
  4. Massey Full Bundle
  5. Waves platinum available upon request
  6. Full Avid Instrument bundle incliding Strike and Hybrid

Converters / Monitoring

  1. Lynx Aurora 16 VT (Calibrated @ -18 dBfs)
  2. Crane Song Ltd. HEDD 192
  3. Dangerous D-Box
  4. Focal Solo6 Pair
  5. Focal SM8 Sub
  6. Yamaha NS10m w carvin amp

Dynamics Processors

  1. Anthony DeMaria Labs Tube Compressor/Limiter 1000
  2. dbx 902 Comp/Limit
  3. dbx 903 De-esser
  4. UA 1176 Compressor
  5. Joe Meek SC3 Stereo Compressor
  6. dyna-mite Stereo Comp/limit/gate
  7. Urei LA-12 Stereo Compressor
  8. Urei LA-10 Compressor
  9. Studio Electronics C2 Stereo Compressor

EQ

  1. Tube-Tech PE-1C Program EQ
  2. Millennia NSEQ-2 Parametric EQ
  3. Dangerous Bax EQ prototype (One of a kind)
  4. Chandler Limited TG Channel Abbey Road Edition

Mic Pre-Amps

  1. 2x Avalon M5
  2. AEA RPQ Ribbon Pre (stereo)
  3. Great River MP-2NV Mercenary Edition (stereo)
  4. 2x Fivefish Studios SC-1 mk500
  5. Langevin Dual Vocal Combo (stereo)
  6. 2x Tab Funkenwerk V78M
  7. Chandler Limited TG Channel Abbey Road Edition

Reverb

  1. Lexicon 300 Digital Effects System
  2. Eventide 7400 Ultrharmonizer
  3. Demeter Amplification Real Reverb Analog Spring Reverb

Instruments

  1. Roland RS-9 Synthesizer
  2. Yamaha SY-1 Synthesizer
  3. Fatar studio 90 plus weighted midi controller
  4. Korg Synthesizer MS-10

Misc

  1. Zephyr Digital Network Audio Transceiver
  2. Behringer Edison Stereo Image Enhancer
  3. MXR Flanger/Doubler

The Revolution Room, featuring a vintage EMT Mixsystem 100 console, is not only the perfect writing room, but it can handle overdubbing, main vocal tracking, and final mixing as well. The 205 sq. foot control room has two seating areas; designed for sessions with bigger teams.

The room is well equipped with outstanding microphones and analog equipment, geared towards vocal tracking. It boasts instruments like a Fatar MIDI controller with weighted keys, vintage keyboards, and a selection of electric basses and guitars. This room captures all of the elements a creative team needs to not only be inspired but also productive.